The nitty gritty. The dirt. The details. Everything you want to know about using the Panasonic Micro Four Thirds DMC-G1 as a "street" camera in a single post... well, OK, "two" posts. The article was so long, it got sectioned into a separate Part 5. Dive in. Enjoy.
After rejecting an SLR, a portable "enthusiast" camera, and a rangefinder film camera, I'm left with only one alternative — micro four thirds. In this article, I discuss the allure of the MFT format and my decision to go there.
In this article, I discuss why a rangefinder is ideal for street shooting and, as such, why a street photographer might actually consider a return to film.
Do you love your SLR? You must not be a "street" photographer. Do you love that little portable enthusiast camera with the faux rangefinder stylings? You, too, must not be a "street" photographer. In this, the first of a five part series, I discuss what I expect from a street photography camera, and why neither the SLR nor the enthusiast cameras have worked for me.
A short, subjective review of the Canon EF 17-40mm f/4L USM with sample images.
A short, subjective review of the Canon EF 135mm f/2L USM with sample images.
A short, subjective review of the Lensbaby 3G with sample images.
A short, subjective review of the Canon EF 50mm f/1.8 II with sample images.
A short, subjective review of the Canon EF 35mm f/1.4L USM with sample images.
A short, subjective review of the Canon TS-E 24mm f/3.5L with sample images.
A short, subjective review of the Canon EF 15mm f/2.8 Fisheye with sample images.
