Every year, a new generation of neophyte photographers become victims of nomenclature — mistakenly assuming that wide angle lenses are an ideal choice for photographing wide, scenic vistas. As an obsessive neologist, I examine how wide angle lenses are actually used, and wrestle with what designers should have named them.
Most people would define "self portrait" as a photograph in which the photographer, himself, is the subject. This article discusses how, over the last couple of years, I've come to define "self portraits" in an entirely different way. To me, a "self portrait" is a photograph that reveals something about the photographer's true soul — his proclivities, fantasies, aesthetics, and personality. The photographer, himself, does not need to be the subject. Nor is there any requirement dictating that the photographer need appear anywhere within the photograph at all, Rather, this article asserts that a "self portrait" is a photograph that divulges something of the photographer's inner self.
"What do you photograph?" Inevitably, when someone discovers that I'm a photographer, this is their Pavlovian response. It's a question framed in an expression of utmost earnestness — as if they were asking a medical doctor to state his specialty, or an actor to enumerate the roles they had played. It's an Innocuous query, but one I find absolutely impossible to answer... Oh, the torment!
What would you do if an event coordinator asked for "action" shots at an event, and that event is about "people sitting around exchanging ideas?" It's just another "Day in the Life" story for the fearless ULTRAsomething photographer.
Every now and then, we all need a little extra inspiration. Many photographers fall into the habit of looking for photos in all the usual places. But by actively looking for photographs in non-standard places, photographers can find photo opportunities that might otherwise bypass them. This article discusses that "art" of looking for interesting reflections in glass surfaces.
