Early in my journey along the dizzying arc of this mortal coil, I developed a disinclination for literalism. Much like Perseus avoided spontaneous petrification by looking at Medusa’s reflection rather than facing her directly, I find life is far less toxic and infinitely more nuanced when viewed through abstraction.
A subject photographed directly is often clinically precise, yet cold as stone. But a subject photographed metaphorically is infused with life — inviting exploration and interpretation. It’s why I avoid aiming my camera at fact, and instead point it toward connotation.
It’s also why I like to hide stories in the space between written words. Why must literature be literal if it’s so much richer when figurative? Literalism, I believe, is best reserved for mathematical figures.
We are awash in the tangible. Architecture, cars, pets, landscapes, friends, fashion, etc. Anyone who wants a photo of tonight’s apricot-coloured sunset needs only to train a camera at the western sky and release the shutter. But what if someone wants a metaphorical sunset photo? Setting aside the relative unlikelihood of such a desire, how would one even go about creating such a thing? What camera would you use? Where would you point it? And when? I’m lightyears away from being clever enough to assign myself such tasks. Which is why I choose, instead, to simply stumble upon my metaphorical photos.
The hiccup with this particular technique is that it sometimes takes years to figure out just what each photograph is a metaphor for. It’s why I tend to glare at someone when they ask, “Did you get any good photos today?” It’s easier than saying, “I don’t know — ask me in a couple of years,” and then having to explain what that means.
This whole ‘shoot first, figure it out later’ scenario worked rather well when I was young. Time was still on my side, and never once did a client ask me for a metaphorical photo of anything — so I could take as long as I needed to figure out what it was I had photographed. I’m now at an age that only 15% of the world’s population would categorize as ‘young,’ and I’m beginning to realize that I likely have fewer years remaining than I have metaphors to identify.
So I’ve decided to leverage my internet ‘fame,’ and cloud-source the identification task. As an experiment, I’ve populated this article with a few scans from my two most recently exposed rolls of film. Perhaps some clever readers can help me identify exactly what I was photographing when I took these photos? I have no doubt that each and every one of them is an honest-to-goodness, bona fide metaphor… but a metaforwhat?
©2019 grEGORy simpson
ABOUT THIS ARTICLE:
This was originally going to be an article about metaphors in general, rather than photographic metaphors. But I couldn’t work through the paradox of how a parabolic writer could pen an article about metaphor without addressing the subject of allegory allegorically. To not do so would be disingenuous and conflicted. But to do so would create the literary equivalent of a feedback loop, which I’m quite certain would act as a catalyst for the formation of dark matter. And since dark matter emits no light and cannot be seen, there’s really no point in writing and posting such a thing. There’s already enough dark matter on the ULTRAsomething site… metaphorically speaking.
And since someone will inevitably want to know: All photos were taken on expired Kentmere 100 and processed in a 1:50 solution of Rodinal. The two horizontal shots come courtesy of an early 1970’s Rollei 35T, while the two vertical shots arrived behind the shutter of a late 1940’s Leica IIIc fronted with a 35mm f/3.5 Elmar lens.
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Top photo: a culture of youth worship
#2: impermanence
#3: I have no idea
#4: momentary frames of life
cheers
Thanks for playing along, Grant!
1. The body snatchers (or Be ready when it’s coming).
2. A brick wall (or A poor man discovers the ugly truth about his beauty).
3. Hide and seek (or Adventures of the Invisible Knight).
4. Is it high enough? (or A poor man discovers the ugly truth about his beauty part 2).
🙂
1) The price of Ambrosia’s young blood transfusions skyrockets, forcing seniors to stalk young blood bags during nap time
2) A poster for Ambrosia’s young blood transfusions torn apart by a ravenous pack of blood thirsty seniors after watching the movie, “The Hunger.”
3) A pharmaceutical executive’s wet dream
4) Slipping into thoughts of dystopia
Oooo… so close!
Perhaps a visual metaphor is “figured out” visually, not verbally.
As well, I find a metaphor’s meaning changes with time and experience.
Agreed. I gravitate toward photographs that say more about the viewer than the view. Romanticized, they can be like poetry. Clinically, they’re more like Rorschach Tests. Which, considering I’d rather have an inkblot on my wall than a landscape photo, isn’t necessarily a bad thing.
MATHEMATICIAN ALERT – Some literal metaphor’s…(sorry)
1. Life is a journey.
2. She has a heart of stone.
3. He has ants in his pants!
4. “Even if you’re on the right track, you’ll get run over if you just sit there.” —Will Rogers
Funny. I’ve looked at Photo #2 about 50 times now, and the ‘heart of stone’ metaphor never occurred to me. Probably ’cause I forgot to look for those ‘literal’ metaphors you mentioned! 😉